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Third Ear Band - Third Ear Band download mp3 album

Third Ear Band - Third Ear Band download mp3 album
Third Ear Band
Folk Rock, Experimental, Psychedelic Rock
FLAC vers. size:
1237 mb
MP3 vers. size:
1444 mb
WMA vers. size:
1949 mb
Other formats
4.1 ★

Third Ear Band was the second album by the Third Ear Band, released in 1970. It consists of four improvised pieces, "Air", "Earth", "Fire", and "Water", and is therefore sometimes known as "Elements". All compositions by Coff, Minns, Smith, and Sweeney. Glen Sweeney – percussion. Ursula Smith – cello. Richard Coff – violin and viola.

Third Ear Band - Hyde Park (Beat Club 1970). 15. 2. Romolo Grano - Tarantata (1972). 29. 3. Freemason's Black Brain - Why (1982). See all. Posts.

Their self-titled, second album is probably their definitive statement, consisting of four lengthy tracks devoted to the primary elements ("Air," "Earth, " "Fire, " "Water"). The feeling is one of improvised (though well-conceived) pieces that build up from initial drones to multi-layered ragas built around the same initial patterns.

By that i mean that this eponymous sophomore release is more structured and more tamped down by a steady percussive drive that sound to me like some sort of talking drums having conversations with one another. While not as adventurous as the debut, this one has a charm all its own in how it flows in a more controlled fashion. Another great album by THIRD EAR BAND.

The Third Ear Band were one of the most challenging and distinctive bands to emerge from the UK underground music scene in the late 1960's. Championed by DJ John Peel, their music is characterised by improvised and sometimes atonal improvisations on tabla, oboe, violin and cello. The band was formed from the ashes of the psychedelic group Hydrogen Jukebox in 1968 by Glen Sweeney (tabla/percussion).

Alchemy (1969), Third Ear Band (1970), Music From Macbeth (1972) ~. Although they were loosely affiliated with the British progressive rock scene of the late '60s and early '70s, Third Ear Band was in some ways more of an experimental ensemble performing contemporary compositional work. For one thing, they didn't use electric instruments, or even guitars, instead employing violin, viola, oboe, cello, and hand percussion.