Mario del Monaco (Florence July 27, 1915 - October 16, 1982 in Mestre) was an Italian tenor and is regarded as one of the loudest tenors of the 20th Century. Mario was born to a musical upper-class Florentine family. As a young boy he studied the violin but had a passion for singing. He graduated from the Rossini Conservatory at Pesaro, where he first met and sang with Renata Tebaldi. Maestro Raffaelli recognized his talent and helped start his career. He married Rina Filippini in 1941.
Mario Del Monaco (27 July 1915 – 16 October 1982) was an Italian operatic tenor. Del Monaco was born in Florence to a musical upper-class family. He graduated from the Rossini Conservatory at Pesaro, where he first met and sang with Renata Tebaldi, with whom he would form something of an operatic dream team of the 1950s
Mario del Monaco at the Bolshoi. Act 1. Sur la place chacun passe, Mario del Monaco. 3. Avec la garde montante. 4. Une jeune fille charmante. 5. C'est bien là, Mario del Monaco. 6. La cloche a sonné, Mario del Monaco. 7. Mais nous ne voyons pas la Carmencita! Mario del Monaco. 8. L'amour est un oiseau rebelle. 9. Carmen, sur tes pas, Mario del Monaco.
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Del Monaco was born in Florence to a musical upper-class family. He graduated from the Rossini Conservatory at Pesaro, where he first met and sang with Renata Tebaldi, with whom he would form something of an operatic dream team of the 1950s. His early mentors as a singer included Arturo Melocchi, his teacher at Pesaro, and Maestro Raffaelli, who recognized his talent and helped launch his career.
Mario del Monaco was not the most elegant tenor; he was not a great actor. But, man, did he have a big voice! He had one of the most powerful tenor voices of the past 50 years. We're talking Richard Tucker and Franco Corelli power here (and maybe even more at that). He sings "Largo al factotum" from Rossini's "Il Barbiere de Siviglia. He takes it at a fast pace. This work is normally sung by a baritone, but del Monaco makes it his own anyhow. He has fun with this aria and it shows. Del Monaco has the big voice for this; the high notes ring out. On the other hand, with the "shake" in this work, he is pretty rough and inelegant. But elegance was not del Monaco's forte; power was. His voice on the final notes sails above the orchestra and chorus. Verdi's "Tosca" has two showstoppers for tenors: "E lucevan le stella" and "Recondita armonia. His version of the former is powerfully sung.
Mario del monaco song album. Tell us if something is incorrect. Mario del monaco song album.