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Tony And The Velvets - Sunday / Why download mp3 album

Tony And The Velvets - Sunday / Why download mp3 album
Performer:
Tony And The Velvets
Album:
Sunday / Why
Style:
Doo Wop, Rock & Roll
Released:
1963
Country:
US
FLAC vers. size:
1536 mb
MP3 vers. size:
1391 mb
WMA vers. size:
1532 mb
Other formats
ASF DXD MMF FLAC MIDI MP1 FLAC
Rating:
4.2 ★
Votes:
195

Tony And The Velvets. Sunday/Why ‎(7", Single, Promo, W/Lbl).

6 Year on the road and the "lost" fourth album (1969). Loaded, Tucker's pregnancy and Max's residency (1970). Reed's departure and release of Loaded (1970). According to Michael Carlucci, a friend of Robert Quine, "Lou told Quine that the reason why he had to get rid of Cale in the band was Cale's ideas were just too out there. Cale had some wacky ideas. seen the Velvets perform at a student event at Harvard University in Cambridge in early 1968, and when the band played at the Boston Tea Party later that year, the band stayed at Yule's apartment on River Street, which he happened to be renting from their road manager, Hans Onsager (who worked closely with their manager Steve Sesnick).

This week, the Velvets’ album comes home, to where it was conceived and recorded, to where the seed was planted: New York. John Cale, who co-wrote the music and played viola and bass guitar, will perform songs from the album – and a few other Velvet treasures – at the Brooklyn Academy of Music, on Thursday and Friday, as anchor with his current band and a cast of guests. The Velvet Underground & Nico sleeve artwork by Andy Warhol. Photograph: Getty Images. The album had a sonority and mood unlike any before or since: a painful beauty, a languid ennui, a timbre, oddly perhaps, both warm and metallic. To listen to it was – and still is – like having an exposed nerve stroked, sometimes softly, sometimes a little too roughly. The album was recorded in a rehearsal space in Ludlow Street on the Lower East Side; only Lou Reed on vocals had headphones.

The Velvets' music was too important to languish in obscurity, though; their cult only grew larger and larger in the years following their demise, and continued to mushroom through the years. By the 1980s, they were acknowledged not just as one of the most important rock bands of the '60s, but one of the best of all time, and one whose immense significance cannot be measured by their relatively modest sales. Rock and Roll" and "Sweet Jane" in particular were two of Reed's most anthemic, jubilant tunes, and ones that became rock standards in the '70s. But the group's power was somewhat diluted by the absence of Tucker, and by the decision to have Doug Yule handle some of the lead vocals.

Tony & The Velvets - Sunday 02:25 Some People. And Some Beginnings of Britpop! Recomendations. makgarebe amacha bochabela andres calamaro loco Safety Off Faul & Wad instrumental solo guitar ilk askim uthando aluboni chris brown wake hangin' chic top cacador de mim McDermott National Badema y-blues Tony CHASSEUR Ansanm Madame Favart offenbach 100 chants de marins Prince Alphabet Street Tu Corazon Es Mi Corazon parisian walkway sudicky gott joe ely good rockin eick monday mood.

Seminal debut album featuring "Heroin" & "I'm Waiting For The Man".

The Velvets became the Factory's house band and early on they provided the music for a multimedia show that Marshall McLuhan called & first '60s happening. Warhol also grafted a new lead singer onto The Velvets. Christa Paffgen was a European actress who called herself Nico. She'd appeared in Fellini's "La Dolce Vita" and had recorded a song written for her by Bob Dylan.

Reed moved into Tony Conrad& apartment at the Lower East Side. The environment at the Lower East Side was a community full of artists, cinematographers, painters, sculptors and musicians. Conrad did not have the ambition to make it big in rock& and withdrew from the band. Image was all, and the Velvets certainly had it. Tourists were sitting around tables with their exotic drinks and the Velvets were on stage singing about Heroin and S&M. Andy Warhol said to Lou Reed that they did the same thing with the music as he did with his work. The Velvet Underground and Nico is an album even the band members never thought they would be allowed to record. Andy Warhol made the decision to record the album and then try to sell it to a record label, rather than the more convential route of securing a contract first. The advantage was obvious: nobody could interfere with the result.

Tracklist

Sunday 2:25
Why 1:55

Versions

Category Artist Title (Format) Label Category Country Year
9606 Tony And The Velvets Sunday / Why ‎(7") Zoom Records 9606 US 1963
9606 Tony And The Velvets Sunday / Why ‎(7", Promo) Zoom Records 9606 US 1963
45-Zoom 9606 Tony And The Velvets Sunday/Why ‎(7", Single, Promo, W/Lbl) Zoom Records 45-Zoom 9606 Unknown