Grobschnitt - Rockpommel's land from 1977 is considered by many their peak, I'm agree with that, keeping in mind that this album is the most symphonic release they ever done. Better in any aspect then previous Jumbo this album keeps the flag high in prog music. With this offer Grobschnitt turns from a krautrock band with edhy passages from early years into some symphonic band very similar in aproch, musicaly and visualy in the end with Yes same period.
Rockpommel's Land (CD, Album). SPV 49812 CD, 5300407. Rockpommel's Land (CD, Album, RE, RM). Brain, Revisited Re. Universal Music. Rockpommel's Land (LP, Album, RE, RM + LP, Album, RE, RM, Whi).
Grobschnitt : Rockpommel's Land,álbum, crítica, lista de pistas, mp3, letras. Symphonic Prog Grobschnitt. Lista de Bandas Symphonic Prog Grobschnitt Rockpommel's Land. adicionar as letras do álbum. adicionar uma crítica. Band Name Grobschnitt.
Artists Grobschnitt Rockpommel's Land. Rockpommel's Land Grobschnitt. This album has an average beat per minute of 116 BPM (slowest/fastest tempos: 80/156 BPM). See its BPM profile at the bottom of the page. Tracklist Rockpommel's Land. 1. Wonderful Music - Rockpommel's Land And Elsewhere, Demo, 1971.
Album Rockpommel’s Land. Rockpommel’s Land Lyrics. Announcement: Here we come, here we are all around Taking forth our stoney sound Stoney arms, stoney legs, stoney brain One – two – three and again.
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Rockpommel's Land", the fourth studio album exhibited intricate ensemble work, delicate dual lead guitars and theatrical vocals which dominate the music. A solid concept album in the YES/GENESIS tradition, the record told the story of a boy's adventures in a strange land and ultimately finding some sort of wisdom about human nature, as well as piece of mind. The beautiful cover painting looks exactly like an early Roger Dean cover. Solar Music Live" (1978) is sometimes considered one of the best live albums of all time (similar to early PINK FLOYD's albums.
Rockpommel's Land represents the height of Grobschnitt's career, combining all of the elements of the more palliated and subdued side of progressive rock onto one solid concept album. While comparisons to Yes appear in both the lyrics and the instrumentation, the band still manages to instill a genuine magic to the four tracks through heavy keyboard employment and by conjuring up some of the finest symphonic texturing that Grobschnitt has ever played