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Mamiffer, Hemingway - Cathedrals (Live at the Josephine) download mp3 album

Mamiffer, Hemingway - Cathedrals (Live at the Josephine) download mp3 album
Cathedrals (Live at the Josephine)
FLAC vers. size:
1354 mb
MP3 vers. size:
1104 mb
WMA vers. size:
1659 mb
Other formats
4.5 ★

Mamiffer, Daniel Menche - A Live Collaboration ‎(Cass, Album, Ltd). Mamiffer, Hemingway - Cathedrals (Live at the Josephine) ‎(CDr, EP). Soccer Mom Ebonics.

Mamiffer, Daniel Menche - A Live Collaboration ‎(Cass, Album, Ltd).

Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American journalist, novelist, short-story writer, and sportsman. His economical and understated style-which he termed the iceberg theory-had a strong influence on 20th-century fiction, while his adventurous lifestyle and his public image brought him admiration from later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and he won the Nobel Prize in Literature in 1954

Mamiffer - (2014) Statu Nascendi . "Their glory is like the flower in the field Показать полность. hen all flesh is grass". Recorded live and mixed on November 16th 2013 at Avast Studio in Seattle, WA. Recorded by, Mixed by Randall Dunn. Produced by Randall Dunn & Mamiffer. Mastered by James Plotkin.

Title: Cathedrals (Live at the Josephine). 3. cathedrals (remix by Sparkle Girl).

non-collaborative studio album, Statu Nascendi. At the time of its release, the album was described as a "warm-up" release for a more ambitious upcoming album. A year later, on November 3, 2015, Mamiffer released a collaborative album between Portland, Oregon noise artist Daniel Menche titled Crater. Turner and Coloccia previously worked together with Menche on various remixes and videos, and decided to make an album together.

The Handsome Family with Andrew Bird - "Cathedrals" - Live at UC Santa Barbara (Campbell Hall) - Santa Barbara, CA - November 21, 2013.

In 2015, Mamiffer made a bold statement with Statu Nascendi, a bridge album connecting their past and future identity. The album was intriguing, seeing Turner and Coloccia moving towards a drone, abstract domain and stepping away from the big drone/doom/sludge of their past days. In a sense, it felt like a logical step for Mamiffer, a goal that the band was set to reach at some point, and a process that was only accelerated with Statu Nascendi, and their collaborations with bands and artists such as Circle and Daniel Menche. This transformation is now complete with The World Unseen, the first.

Mamiffer’s music is detached from metal, conventional structure or even melody. Instead, the partnership of Turner and Faith Coloccia has spawned something focused almost entirely on texture. The construction of sound itself seems to be the part of music that gets the shortest straw each time in live performance, but Mamiffer’s ambient set was one of the best-sounding I’ve ever heard, even in a theatre with a fairly inconsistent track record for that sort of thing. Comparisons could be made to the darker side of Sigur Ros, or the minimalistic and sombre tone of a funeral march. Those uninitiated to Anathema’s music would probably balk at the idea of people expressing such feelings at a show, but I wasn’t surprised at all to see people reacting this way. 2012’s Weather Systems emotionally connected with me the first time I heard it, and 2010’s We’re Here Because We’re Here had a similar effect.


1 Mamiffer 12:32
2 Hemingway 9:39
3 cathedrals (remix by Sparkle Girl) 15:08


Edition of 22. Made for the Mamiffer/Hemingway NW Tour by Soccermom Ebonics. Solid black cdr