Regina Resnik, Edward Downes - Arias From Carmen Et Al. download mp3 album

A1-A4 from the opera "Carmen" A5 from the opera "Jeanne D'Arc" B1 from the opera "Samson Et Dalila" B2 from the opera "Die Walküre" B3 from the opera "Il Trovatore" B4 from the opera "Don Carlo". Matrix, Runout (Runout Side A): ZAL-5364-3A JT (upside down). Matrix, Runout (Runout Side B): ZAL-5365-3A JT (upside down). Other Versions (3 of 3) View All. Cat.

Sir Edward Thomas ("Ted") Downes, CBE (17 June 1924 – 10 July 2009) was an English conductor, specialising in opera. He was associated with the Royal Opera House from 1952, and with Opera Australia from 1970. He was also well known for his long working relationship with the BBC Philharmonic and for working with the Netherlands Radio Orchestra. Within the field of opera, he was particularly known as a conductor of Verdi.

Carmen, Act 1: "L'amour est un oiseau rebelle" (Havanaise) - Georges Bizet, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes. 2. Carmen, Act 1: "Près des remparts de Séville" - Georges Bizet, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes. 3. Carmen, Act 2: "Les tringles des sistres tintaient" - Georges Bizet, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes. 4. Carmen, Act 3: "Mêlons!

Regina Resnik - Dramatic Scenes & Arias. Released by Universal Music Group Jun 2003 19 Tracks. Regina Resnik - Dramatic Scenes & Arias is a English album released on Jun 2003. Regina Resnik - Dramatic Scenes & Arias Album has 19 songs sung by Regina Resnik, Mario del Monaco, Robert Merrill. Listen to all songs in high quality & download Regina Resnik - Dramatic Scenes & Arias songs on Gaana. attr("src", $('. de tp.

Regina Resnik, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes – So ist es denn aus mit den ewigen G ttern. Orchestra of the Royal Opera House, Covent Garden, John Lanchbery – 27.

Regina Resnik (August 30, 1922 – August 8, 2013) was an American opera singer who had an active international career that spanned five decades. She began her career as a soprano in 1942 and soon after began a lengthy and fruitful relationship with the Metropolitan Opera that spanned from 1944 until 1983. Under the advice of conductor Clemens Krauss, she began retraining her voice in the mezzo-soprano repertoire in 1953 and by 1956 had completely removed soprano literature from her performance repertoire. Just two months later she made her professional opera debut with Fritz Busch's New Opera Company at the Broadway Theatre in Manhattan as Lady Macbeth in Giuseppe Verdi's Macbeth with Jess Walters in the title role. In February and March 1943 she sang Leonore in Fidelio and Micaela in Carmen at the Palacio de Bellas Artes in Mexico City under Erich Kleiber. In the Spring of 1944 she portrayed both Frasquita and Micaela in Georges Bizet's Carmen in the New York City Opera's (NYCO) first season with Dusolina Giannini in the title role.