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The Comes - Live 1982-1984 download mp3 album

The Comes - Live 1982-1984 download mp3 album
Live 1982-1984
Hardcore, Punk
FLAC vers. size:
1151 mb
MP3 vers. size:
1971 mb
WMA vers. size:
1794 mb
Other formats
4.9 ★

Release date: August 30th, 2008. CD 2: 01-14 & 18-24 Recorded live at 目黒鹿鳴館 1983 15-17 Recorded live at SHINJUKU JAM 1982.

The Comes was a Japanese hardcore punk band formed in Tokyo, Japan in 1982. They were one of the first Japanese hardcore bands alongside GISM, Gauze (band) and Lip Cream. The Comes were fronted by female vocalist Chitose, who went to sing in the metal band Virgin Rocks. Chitose was the first vocalist of female-fronted hardcore punk bands to gain fame. Matsumura played drums before moving on to future bands such as Gastunk. Minoru Ogawa performed in The Comes as well as the band Lip Cream.

Album Name The Pax Compilation Tracks 1982-1984. Type EP. Data wpisu 1984. Styl muzycznyPunkcore. Zarejestrowanych posiada ten album0. Other productions from Anti-System. Live: In Durham City. At What Price Is Freedom? Discography 1982 - 1986.

Neal and Jack and Me: Live 1982-1984. The August 27, 1982 set - at the Arena in Frejus - finds Adrian Belew (guitar/vocals), Bill Bruford (drums/percussion), Robert Fripp (guitar) and Tony Levin (bass/Stick) during a European excursion as the opening act for Roxy Music, hence the somewhat abbreviated program. With the notable exception of "Larks' Tongues in Aspic (Part II)," the vast majority of the show is derived from their concurrent effort Beat (1982) and its predecessor Discipline (1981).

Tracks 13-23 from 12" EP "Justice For No One" NR-002, recorded Jan. 1983, originally released July 1983. Tracks 24-29 recorded spring 1984 at Control Sound, Minneapolis for intended third record "Big Enough To Get It", previously unreleased. Other Versions (1 of 1) View All. Cat.

When Shadows Move 1982-1984. Released by Dionysus Records, Bacchus Archives, Orange Sky, Hell Yeah Jun 2012 29 Tracks. When Shadows Move 1982-1984 Album has 29 songs sung by Jacket Weather. Listen to all songs in high quality & download When Shadows Move 1982-1984 songs on Gaana. attr("src", $('. de tp. d t img img').

1984 (stylized as MCMLXXXIV) is the sixth studio album by American hard rock band Van Halen, released on January 9, 1984. It was the last Van Halen album until A Different Kind of Truth (2012) to feature lead singer David Lee Roth, who left in 1985 following creative differences, and the final full-length album with all four original members. 1984 and Van Halen's debut are Van Halen's bestselling albums, each having sold more than 10 million copies.

12 episodes, 1982-1984). 12 episodes, 1982-1984). 7 episodes, 1982-1984). Baz. (5 episodes, 1982-1984). Series Cast & Crew. Bottom Live: The Big Number 2 Tour. Guest House Paradiso. Bottom Live 2003: Weapons Grade Y-Fronts Tour. Bottom 2001: An Arse Oddity.


1-1 コミュニスト
1-2 Case
1-3 全ての人に
1-4 Public Cicle
1-5 さらけだせ
1-6 イイキニナルナヨ
1-7 Panic
1-8 No Side
1-10 I Love You
1-11 Wa-Ka-Me
1-12 Dead Body
1-13 工場
1-14 Medium
1-15 究極
1-16 バカコケ
1-17 人間狩り
1-18 Shangri-La
1-19 Ver.Serp
1-20 II
2-1 ゼラチン
2-2 小便野郎
2-3 全ての人に
2-4 さらけだせ
2-5 Public Cicle
2-6 I Love You
2-7 反戦
2-8 Work
2-9 イイキニナルナヨ
2-10 エクスタシー
2-11 Wa-Ka-Me
2-12 Dead Body
2-13 Call
2-14 工場 〜逃げちまえ
2-15 悪徳事務所
2-16 指きりげんまん
2-17 Who Are You?
2-18 プロテスト
2-19 バーニング
2-21 弾丸
2-22 アバズレ
2-23 Dis
2-24 逃げちまえ

Companies, etc.

  • Recorded At – Rokumeikan
  • Recorded At – Yaneura
  • Recorded At – Shinjuku Jam


  • Bass – Minoru*
  • Drums – Matsumura
  • Guitar – Naoki
  • Vocals – Chitose


1-1 to 1-14: Recorded live at Meguro Rokumeikan, 1983
1-15 to 1-20: Recorded live at Shibuya Yaneura, 1984
2-1 to 2-14, 2-18 to 2-24: Unknown live
2-15 to 2-17: Recorded live at Shinjuku Jam, 1982

  • Drelalen
First off I must disclose that I am a Japanese hardcore fanatic and the COMES are one of my favorite punk bands of all-time. In addition, as someone just old enough to remember tape trading, I have a pretty high tolerance for poor sound quality. Poor sound quality tolerance is a necessary factor for anyone who truly wishes to delve deeply into the realms of underground music. However, the sound quality on COMES-"Live '82-'84" is at times VERY good and always more than listenable! That such wonderful recordings existed, yet were not better circulated (at least in the USA) is surprising. Certainly, because this 2CD release was culled from four different gigs, there is variation sound quality wise with some of the tracks sounding better than others. However, even the lowest quality audience recordings in this collection are quite listenable (and in some ways even more interesting due to the sense of ambience of the room/club/etc. where the performance occurred, as well as those present in the crowd. So if you're worried about sound quality DO NOT let that be the factor which prevents you from checking out this great release! I personally feel this release has better sound than the COMES-"Live '85-'86" 2CD collection (featuring their more metallic, pre-Gastunk sound and songwriting that one needs to be able to hear a bit clearer to fully enjoy). But the best thing about the COMES-"Live '82-'84" is the songs, many of which were never captured in a studio setting. Also, to hear the sheer energy and skill of this amazing multi-gender band in a live atmosphere is just incredible. There are many moments on this release where I found myself getting goose-bumps from the sheer ferocious (yet catchy) nature of this one of a kind band's live intensity. So if you're a person who's played "No Side" over and over (as well as the comp. tracks) but always wished their was MORE of the pre-"Power Never Die" styled COMES, here it is!!! And as a postscript I must say that I am not trying to disparage latter-era COMES material such as "Power Never Die" LP '86. There is just such a difference in style between the early manic punk era COMES (i.e "No Side" LP) and the latter more melodic heavy metal stylings of "Power Never Die" LP '86. By the mid-80's members of the COMES were moving a bit away from the early 80's energetic, balls-out, high speed punk (as captured so brilliantly on "Live '82-'84") and towards a heavier more metallic sound which in the end played a huge role in giving us the rad metal/punk/goth/post-punk/noise stylings of Gastunk.